Rumbling thunder competes
With the freight train’s dominance
The electric water laden heat
Ready to pop if anything is
Forms an immovable crystal curtain
Hanging dark gray veils and leaden lines
This is the fifth night in a row that the sky refuses us
The fifth night of taunting
The fifth of a brooding threat a little to the north
But not here
Promises promises
“To be comfortable in one’s own skin is the goal”
My friend says like a motivational speaker
Sped by steroids and I think he’s funny
Such a beauty
In his skin
Desired by women and men alike
Such a pretty skin
An easy one to feel easy in
My skin though is nothing but trouble
Since puberty
A potato skin, a cardboard box
Passed over by the homeless
A damaged wrapping
And I imagine myself a wandering mendicant
Holding the Buddha’s own begging bowl
Burnt by the sun
(Little Feat supplies the chorus)
“…every time I go…”
Now it’s a bone bag, this skin
Containing other symbiotic organs as well
Sloshed a tad from their original moorings
“…to Mexico and I’m still…”
Leading me nose first into trouble and woe
“…willin’…”
And my friend’s glee and beauty
Begins to tire me and I wonder if I should
Bop him one
The morning dries off what’s left of last night’s rain
Sparing the occasional puddle
Providing flashes and sparkles
Reflecting clouds, sky and dark moods
I dreamed of a friend’s suicide last night
Must be the anniversary
Fifteen sixteen years at least
Seeing his body beautiful in its youth
Transformed to so much hideous sausage
Blue black bloated
Inflated purple
Ending whatever impossible pain
Acidic and unshared burning him from the inside
Putting out the fires
The desperate one
And the one that gave off light and warmth
Leaving the rest of us to wonder
What we could have done to help
For the rest of our lives
What do these puddles
That’ll be gone by noon
Have to reflect on that?
This morning a man knocked on the door and offered to cut down a dead tree in the front yard. It was an old tree already quite big when I moved into this house more than a decade ago. Covered with leathery eye shaped leaves that used to spring enthusiastically from hundreds of straight vertical suckers, themselves supported by a half dozen hefty trunks. It reminded me of a mangrove tree though it really had little resemblance. The desert sometimes creates the need for water in my imagination and so water bound trees seem a natural extension. That’s just a guess though.
In spring it exploded with thousands of hand sized umbels transforming it into an undulating terraced landscape of white. They stank to my fine tuned New York schnoze, but others liked their perfume. Of course I’m right and they’re wrong. They stank pure and simple! After a week or so these stinky little flowers became zillions of berries the size of BB’s the color of dried blood.
Anyway the below zero freeze this past February killed it off, or rather ninety five percent of it. It also killed off most of the foliage around here as well as most of the cactus and palms. For awhile the city was brown which divided people into those who yanked everything up immediately and replanted from those who took a patient wait and see attitude. I was a wait and seer and after I saw that the tree wasn’t coming back took a waiting for Godot attitude. He’d fix it if anyone could!
And so there it stood, brown and ugly, a constant reminder that I’d rather be living in a studio loft somewhere in a grungy eastern city torturing jade trees, airplane plants and wandering Jews than have to mow a lawn and think about the management of real trees. Ok I exaggerate but grass and trees of this sort are so antithetical to living in the desert and I would have never planted them, but they came with the house. Some friends have xeriscaped their digs but that is even more of that kind of work than mowing, at least up front. Now that I think of it perhaps I should think a little deeper about it, but that is for another time.
Jaime, he introduced himself, was driving around looking for pickup work. In fact he was looking for dead trees to cut down if I am to buy into his complete rap. Listening to the pitch requires a funny kind of guy negotiation whereby there are pauses between statements that represent thinking, not real thinking mind you, but the kind of thinking that a cartoonist would have a primordial ooze in the background and two cave men achieving fundamental consciousness in front of a dead tree that evolution has finally recast as a problem. One says to the other “ya know there’s a dead tree in front of your cave and I’ll chop it down for you with this freshly made stone ax for twenty clams…” silence and posturing for a few minutes…”you sure it’s dead?, hmmm maybe…don’t know if it’s worth twenty clams though…well I guess so” etc..
Agreement can’t come too quickly or someone is going to feel taken advantage of even if the ask and the agreed price are the same and entirely fair. There has to be a dance first. The thing of it is that I have learned this facade, at least the guyness of it, from the movies. I’d be a terrible negotiator if things were on some kind of equal footing but I was indifferent to this dead tree and Jaime was in real need of work.
He was in his mid forties is my guess and strong, solid, pot bellied and not all that much shorter than I am, perhaps five six or so. His hands were callused and firm when we shook on price which was the first amount he mentioned, but agreed to after some guy thoughts and silences. Then he told me about his chainsaw needing a new chain to which I was silent, though for real this time and he quickly indicated that I need not think about it. I asked when could he start and after another guy silence as if he was mentally shuffling around a dozen commitments in a manner advantageous to me, he said “right now”.
And he did. He fired up his clunky chainsaw and commenced while I came into the house to work on images. I realized that part of my agreeing to have him cut sown the tree was also agreeing to stay around in case he needed anything. So I worked on some photos and listened to some online lectures while half aware of the speeding and slowing puttering of the chainsaw. About a half hour in he informed me that the chainsaw had broken and he had to go get something for it, he’d return in an hour and a half. Sweet sweet silence….
When he returned he had in tow a boy, his son I think and an old man who was missing a few front teeth. The old man, his friend of many years he said, greeted me with an awkward smile and a outstretched hand telling me his name that I didn’t catch. Between his diction and my poor hearing, I never would catch it so instead of doing an endless series of “whats?” with an imagined crooked sheep’s horn plugged into my poor ear, I just smiled and told him mine, shook his hand and said something like “pleased to meet ya”.
Then I had an Ugly American moment seen in lots of western films where the well-to-do wonder-bread white family with fresh looking freckled kid, steeped in packaged and plastic consumer oriented materialism, has the invisible Mexican gardener named Juan and house keeper named Maria with a distance between them was so dense that it might as well be a stone wall and so high that one could traverse it only through special doors guarded by homeland security goons.
Luckily, I am neither wonder-bread, all that materialistic, plastic or otherwise, nor well to do and the wall while real enough was easily climbable by comparison. Still Jaime and I would probably never meet in the same bar after work. It lasted only a moment and we both went back to our respective tasks.
His fourteen inch chainsaw was a wonder. It recalled stories I’ve read about fifties Chevy’s being kept running in embargoed Cuba. Drivers there had (have) come up with all manners of repairs to make them drivable. This saw was something like that. He showed me different parts to convince me how close it was to breaking but I didn’t recognize any of them and I have owned a few chainsaws. This prompted me to go digging in the piles of crap in our storeroom to see if I still owned one. If that was the case, I would have given it to him in addition to the agreed upon cash. I know that mine wouldn’t have been any great shakes but would have been cherry compared to the thing he showed me. Unfortunately I didn’t find one though it may still be at the bottom of one of the heaps.
It took Jaime, the old man and the young boy about five hours to cut it into fire wood, stack it and load the scrap into a trailer bound for the dump. They did it in a hundred degree oven with frequent frustrations and a lot of water. In the end I gave him significantly more than he asked for and it still seemed cheap to me, especially since I have it on fairly good authority that Godot stays out of the desert if he can. We shook hands after a guy-type inspection that was pure theater on my part and we all went our way feeling good about the day’s work.
That really says it all doesn’t it? Also I am moving my studio into storage and cleaning the studio at home out. My guess is that it will take another 10 days after which I will be able to write again…. assuming that it’s not too darned hot that is….
There is a certain thrumming
Unchecked mostly
Of one damned thing after another
Commonplace events without much distinction
Or flavor
Populating the hours
Between a few moments of ecstasy
And moments of despair
Oh stop being so melodramatic damn it
I hear the better angel bark
Ok,
I acquiesce
Between the highs and the lows
Satisfied? I say to my schitzy other voice
Much better the bark softens
Highs and lows it is then
Where was I?
Oh yeah the thrumming of the mundane
Insistent crickets and cicadas and wind up teeth chattering
Deftly marking a soundtrack
To visions of the everyday so humdrum
So everyday
We miss the pulsating life
In its steady dull ache
Until Yo-Yo Ma takes the stage
And plays Bach
And for a few moments
We think we awake
Missing the point entirely
I don’t want it to be something
Or about anything
Or go anywhere &
Don’t want it to stay there
If it gets there either
Its intention is
To be nothing (if that’s possible)
Other than what it is
Don’t want it to be bad
Or for that matter good
I’d rather it be beyond good and bad
Nothing other than itself
Nothing added
And even that says too much
About what I want
Gives too much away
don’t want to understand or
Be understood
Which only fixes
Something to the surface that isn’t there
You see
As soon as it’s “got”
It’s gone
A dilemma sat comfortably on his head
A perfect fit
Claws deeply fixed in the general’s scalp
Injecting venom, anesthetic and
Erasing all apparent pain
His companion (the general’s that is)
Wild orange hair a fluff
Wild eyed, all fang
Obvious to everyone they met
(Though not to him)
Riding a head with regal impunity;
Sharpened puckishness
And
Cheshire grin
With a beard deeper in hue
Copper at least hanging long
Blinding him to others
His personal censorious sensor
His own filtering internet
Wreaking mayhem
Crying havoc &
Waking those damned dogs
“Strange stuff rattles around inside the head(s) of old men” he wrote
Knowing it to be true
And not even close
Meaning what exactly?
Extraordinary? More than strange?
In the keys of mundane and boredom?
Flats and sharps?
One strange thing he thinks
Strangeness itself
Since really
Nothing in his head is strange
Equally true for this old man
Just the suspicion that others
Might suspect
As Dylan’s
…if my thought dreams could be seen
They’d probably put my head in a guillotine…
Starts rattling around his inner smile
But then again what’s this “old man shit” he thinks
(Me too)
Not as old as some
Certainly older than others
That damned relativity thing again
Anyway
When strangeness rattling around an old man’s head
Sees itself
What does it see?
Kramer emails me:
Last night, some of this strange shit rattling inside my head came in to sharp focus. Been wrestling with some of this strange shit rattling around my head and heart for a few years now. . well it was a steel cage match and i had a ringside seat. drink in hand, fedora on my head. lotsa smoke and harsh lights. demons sweating and screaming. last night is all over. it’s was a TKO. winner and still champ…. Time! out into the bright lights of iphone land and sleek ugly cars. don’t worry, I will never run out of demons.I feel much more at peace today. whats rattling around inside of your head young man? or how do you like your blue eyed boy now……(e.e.c)
yeah. if they could see whats inside my head and yours they would send in the black shirts with their M-14′s and haircuts.
and again when I ask him if he doesn’t mean brown shirts instead of black he simply says that black is the new brown and that were all yellow stars now…
http://video.google.com/googleplayer.swf?docid=6121002842995083319&hl=en&fs=true
Pull My Daisy (1959) is a short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. It starred poets Allen Ginsberg, Peter Orlovsky and Gregory Corso, artists Larry Rivers and Alice Neel, musician David Amram, actors Richard Bellamy and Delphine Seyrig, dancer Sally Gross, and Pablo Frank, Robert Frank’s then-young son.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respectable bishop over for dinner. However, the brakeman’s bohemian friends crash the party, with comic results.
Originally intended to be called The Beat Generation the title Pull My Daisy was taken from the poem of the same name written by Kerouac, Ginsberg and Cassady in the late 1940s. Part of the original poem was used as a lyric in David Amram’s jazz composition that opens the film. —wikipedia
For further info on the file you can go here: http://www.imdb.com/title/tt0052100/
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